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MARIANNE BLUGER
POET
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MARIANNE BLUGER'S PUBLISHED POETRY
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Click on title to see that book's webpage or the adjacent "TOC" to access the table of contents for it.
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Date |
Anthology |
Publisher, Editor, Poems Included |
1976 |
This is My Best: Poems Selected by 91 Poets |
Coach House Press, Kenneth Gist, How Franz Went Mad |
1976? |
Auguries: A Continuing Anthology of the Arts |
David Conrad, Salon, Paris 1939 |
1978 |
International Anthology of Concrete Poetry Vol.1 |
Poetry Toronto Books, John Jessop, the layered pines |
1985 |
Haiku, Anthologie Canadienne, Candian Anthology |
Éditions Asticou, Dorothy Howard & André Duhaime, November/a cricket/in the rec-room wall; cold rains/slash the tulips; empty street/the last brown leaves/let go; wind in the long grass/and somebody/whistling... (also in French) |
1986 |
Chapter Four Anthology: Haiku Written by Canadian Women |
Jane Reichhold, ah these soft spring nights/full of bawling cats.../and lilac |
1987 |
10th Anniversary Haiku Canada Holographic Anthology |
Haiku Canada, Marco Fraticelli, hanging out the window/with my dog-eared Basho/and a big orange moon |
1987 |
Milkweed: A Gathering of Haiku |
Nietzsche's Brolly, Marshall Hryciuk, utterly still/an old heron/in the sparkling shoals; behind the run-down/fried clam stands/ocean (called Marion Bluger here |
1988 |
Special Delivery: Haiku Canada Members' Anthology |
Haiku Canada, Nick Avis, the sparkler dies/and Agi's face |
1990 |
Open Set: A Tree Anthology |
Agawa Press, Heather Ferguson, By Bricks; On the Mall (from Gathering Wild) |
1991 |
Silenced Spring: Haiku Canada Member's Anthology |
Haiku Canada, Brian Birch, of the season/upwind on cold sand/a gull struts |
1991 |
Wind in the Long Grass |
Simon & Schuster, W.J. Higginson, wind in the long grass/and somebody/whistling |
1992 |
15th Anniversary Haiku Canada Holographic Anthology |
Haiku Canada, Marco Fraticelli, with what enviable impudence/the cabbage white sails/over the turnstile |
1993 |
Haiku Moment |
Charles E. Tuttle Co. Inc., Bruce Ross, rain-rinsed twilight/a motionless toad/claims the walk; flat tire/the cows just stand and slowly/turn to look; cloudy afternoon/a white chrysanthemum/just one; |
1994 |
Wind Five Folded; An Athology of English-Language Tanka |
AHA Books, Jane & Werner Reichhold, Friday night/in the rooming house/-- also lonesome/that Nigerian student/playing his flute (in modified form in Gusts; when I was sick in winter/my old mother came/swept the floor/and poured some warm water/on my beloved azalea (in modified form in Zen Mercies / Small Satoris); maybe because you're gone/ he has come/to thread my ankles/as I weed the garden/-- the neighbour's tom (in Gusts) |
1994 |
Bookware Ottawa Valley Poetry '94 |
Ottawa Valley Book Fair, S. McMaster & C. Morton, When You Were Gone to the Gulf (from Summer Grass) |
1996 |
Vintage 95: League of Canadian Poets National Poetry Contest |
Quarry Press, Linda Rogers, The Zen Master's Wife, In Albion Daylight |
1996 |
Jiyu-Katari (Free-Talking) (7th Ito En "Oh-I, Ocha!" New Haiku Contest |
Ito En (Green Tea), immaculate,/on their rusting barge,/the egrets preen (President's Prize) |
1997 |
20th Anniversary Haiku Canada Holographic Anthology |
Haiku Canada, Murial Ford, bald from chemo/my friend Diana/a laughing Buddha |
1998? |
Asayhi Contest Publication |
Asayhi, ?, in the rain/at the curb -- fashion mags/tied with panty hose (President's Prize?) |
1999? |
Asayhi Contest Publication |
Asayhi, ?, past the reactor/gilt with sunset -- a gull/wings back to the sea (Grand Prize?) |
1999 |
Soul of the Season |
JDC, Ikkoku Santo, From the night train/a glimpse/of a farm kitchen |
1999 |
The Old Enchanter: A Portrait of George Johnston |
Penumbra Press, M.I. Cameron, Douglas Campbell & Gurli Woods, Imaginary Portrait of the Real George Johnston (from Summer Grass, 1992) |
2000 |
all going somewhere - Haiku Canada Member's Anthology 1999-2000 |
Haiku Canada, LeRoy Gorman, morning sun/ping of a quarter at the toll-booth/lights up GO |
2000 |
New Life in Dark Seas: Brick Books 25 |
Brick Books, Stan Dragland, The Treaties (from Gathering Wild) |
2001 |
Smaller Than God: Words of Spiritual Longing |
Black Moss Press, Br. Paul Quenon & John B. Lee, Names of Yahweh (from Summer Grass), Grace (from Summer Grass) |
2001 |
Countless Leaves |
Inkling Press, Gerald St. Maur, In a ruined orchard (honourable mention in traditional category), Night falls, On these cold waves |
2002 |
Poetry and Spiritual Practice |
St. Thomas Poetry Series, Susan McCaslin, On Nights Like This (essay), Names of Yahweh (from Summer Grass), Good Friday (from Summer Grass), Inarticulations (from Summer Grass), In Albion Daylight (from Scissor, Paper, Woman) |
2002 |
Haiku: Poetry Ancient & Modern |
Tuttle Press, Jackie Hardy, this rainy night/out wandering anywhere/the wet leaves point |
2002 |
dry waterfall - Kado Spring Anthology |
Kado Ottawa, Terry Ann Carter, tulip buds tight/& a robin in the rain/stretching a worm |
2002 |
Waging Peace |
Penumbra Press, Susan McMaster, Bomb Poem for Rabbit (from The Thumbless Man is at the Piano) |
2002 |
Larger Than Life |
Black Moss Press, Roger Bell, In Broken Night (from Gathering Wild), The Ark and the Raft Gone Over (from On Nights Like This), Blesse (from Scissor, Paper, Woman) |
2003 |
57th Annual Basho Festival Anthology |
Basho Festival, ?, In soft summer dark |
2003 |
crickets and crows - Kado Anthology |
Kado Ottawa, Terry Ann Carter, the moonlit station/empty as a train whistles/through the small town |
2003 |
Haiku: Poésies Anciennes & Modernes |
Véga, Jackie Hardy, cette nuit pluvieuse/errant n'importe où/les feuilles humides indiquent la voie |
2003 |
Hugs, Haiga, Haiku and Other Good Stuff |
?, Lois ?, My Girl Cried Mother the Wind |
2004 |
Haiku: Alte und moderne Meister |
Patmos, Jackie Hardy, Diese Regennacht --/wohin sie auch ziehen mag:/nasse Blattspitzen. |
2004 |
Scent of Seaweed - Kado Spring Anthology |
Kado Ottawa, Grant Savage, first snow falling/I take up the long unanswered/letter from Japan |
2004 |
Tulip Haiku |
Shoreline Press, Angela Leuck, sleet/slashing the red tulips/-- the phone rings (from Tamarack & Clearcut), tulip buds tight/& a robin in the rain/stretching a worm (from Early Evening Pieces) |
2004 |
Haiku Canada Holographic Anthology |
Haiku Canada, Marco Fraticelli & Philomene Kocher, on the beach/back to the wind - I watch it/sweep my tracks |
2005 |
Rose Haiku for Flower Lovers and Gardeners |
Redlader Publishing, Angela Leuck, the heat.../among roses/a straw hat dips (from Tamarack & Clearcut), opening slowly/in the warm kitchen -- the last/frost-scarred red rose (from Early Evening Pieces) |
2005 |
Past the Stars - Kado Spring Anthology |
Kado Ottawa; Terry Ann Carter, Claudia Radmore & Grant Savage; woodland spring/above dense firs - a jet/twinkles past the stars |
2005 |
Jiyu-Katari (Free-Talking) (16th Ito En "Oh-I, Ocha!" New Haiku Contest |
Ito En (Green Tea), Kiyoshi Hashizume (director), fog in the village/a figure waving at me/passes by (won 2nd Prize) |
2005 |
In Fine Form: The Canadian Book of Form Poetry |
Polestar, Kate Braid and Sandy Shreve, Leafsmoke (from Tamarack & Clearcut), In Oak (from Gathering Wild) |
2005 |
Canadian Poems for Canadian Kids |
Subway Books, Jen Hamilton, I Chased a Butterfly |
2005 |
Twenty-five Years of Tree |
BuschekBooks, James Moran & Jennifer Mulligan, On the Mall, At Mooney's Bay, Grace, The Treaties (1992) |
2006 |
Invisible Tea (for Marianne Bluger) Kado Ottawa |
Kado Ottawa (Bondi Studios), Terry Ann Carter, Claudia Radmore & Grant Savage, woodland spring/above dense firs - a jet/twinkles past the stars, first snow falling/I take up the long unanswered/letter from Japan |
2006 |
Letting Go: An Anthology of Loss and Survival |
Black Moss Press, Hugh MacDonald, The Silence After (tanka sequence); singing somewhere, banging, what to do, is it somewhere here, where last fall, still, from an orphan, in the bitter cold, steaming up the windows, he left me, swaying, when these birches, (coda) above my desk |
2006 |
Canadian Listers' Corner |
Rolling Clouds Editions, Larry Neily, End of season & swallows (from Tamarack & Clearcut), in a pause & through drifting mist (from Early Evening Pieces), I tottered often (from Zen Mercies / Small Satoris), What to make (from Gusts), In Richmond Fen (from Summer Grass), Present Things (from Scissor, Paper, Woman) |
2006 |
L'Érotique |
Editions Biliki, Micheline Beaudry & Janick Belleau, un oiseau de l'aube.../les cils de mon mari/s'agitent |
2006 |
Fire Pearls: Short Masterpieces of the Human Heart |
Seamark, M. Kei, Spot my old flame Zen Mercies / Small Satoris, Cold fire Zen Mercies / Small Satoris, With melting flakes Zen Mercies / Small Satoris, home from a cruise (from Nude with Scar), You boast in print Zen Mercies / Small Satoris, all the years (from Nude with Scar) |
2007 |
Poetry as Liturgy |
St. Thomas Poetry Series, Margo Swiss, The Canticles |
2008 |
faint notes |
Red Moon Press, Jim Kaicin, 24 pages of Marianne Bluger's haiku (one of the Postscript series of chapbooks) |
Top
Date |
Magazine - Issue |
Publisher, Editor, Poems Included |
1975 |
Quarry: Vol.24 No.4, Autumn |
Quarry Press, W.J. Barnes, Swift as the shadow, For R.E., For Joyce, & Sky out attic window |
197? |
Ottawa Poetry News 2 - Vol.1 No.6 Dec. Leaflet |
?, Night Travelling |
1976 |
Stuffed Crocodile: Vol.3 No.4, May |
Killaly Press, Clarke Leverette, Poem in orange ink & Poem |
1976 |
Contemporary Verse II: Vol.2 |
Contemporary Verse II, Dorothy Livesay, For D. who is always remembering |
1976 |
The Alchemist: Vol.1 No.3 |
Marco Fraticelli, Marco Fraticelli, You become the period & In late winter in Ontario |
1977 |
Boréal 9 |
John Flood & Jacques Albert, Exchange & La bourse (its translation by Alexandre Amprimoz) |
1978 |
The Fiddlehead No.117 Spring |
University of New Brunswick, Roger Ploude & Robert Gibbs (poetry), Gertrude Stein |
1978 |
Waves Vol.6 No.3 Spring |
Bernice Lever, Hédi Bouraoui, Robt Casto & John Oughton, You Can Live |
1978 |
Sparks Vol.2 No.5 June |
Blaine Marchand & Kathryn Oakley, The Disciplines |
1979 |
The Christian Century Vol.XCVI No.13 April 11 |
The Christian Century, James M. Wall, Easter Poem |
1979 |
The Antigonish Review No.38 Summer |
St. Francis Xavier University, R.J. MacSween, Full Moon & Grasshopper Poem |
1979 |
The Canadian Forum Vol.LIX No.695 Dec-Jan 1979-80 |
The Canadian Forum, Sam Solecki & Douglas Barbour (poetry), Hanging by the cords of a helium balloon |
19?? |
Boréal |
John Flood & Jacques Albert, Lady Simcoe |
1980 |
Fireweed Issues 5&6 Winter 79/80 & Spring 1980 |
Fireweed Inc.; Elizabeth Brady, Lynne Fernie, Rina Fraticelli, Barbara Godard & Rhea Tregebov; The heart, the sea |
1980 |
Mamashee No.2 Vol.4 Summer |
Margaret Drage, The Hunt |
1980 |
Wastelands No.1 Autumn |
Wastelands Publications, Bruce Brown, Good Jam |
1980 |
Wee Giant Vol.3 No.3 Fall |
Margaret Saunders, Margaret Saunders, Mountain Hermit, Now Pompeii & The Pitiful Thing |
1980 |
Branching Out Vol.VII No.I |
?, ?, The Thousandth Spring Would Be The Same |
1980 |
Cicada Vol.4 No.4 1980 |
Eric Amann, Eric Amann, Moonlight/lapping/the dock; November/a cricket/in the rec-room wall; In a yellow lamp-halo/long-haired Agi reading/fairy tales; Betelgeuse/a hoot-owl calls -- a breeze/snaps the tent flap; Empty street/the last brown leaves/let go; Just a tarpaper shack/but the meadow has/cornflowers; Wind in the long grass/and somebody/whistling...; & Someone weeps/between the wax corpse/and massed mums |
1981 |
High/Coo Vol.5 No.20 May |
Randy & Shirley Brooks, year by year the pines & The Album |
1981 |
Tree Presents No.1 Summer |
Tree Reading Series; Marty Flomen, Steven Guenther & David Freedman, For Agi who was wondering |
1981 |
Canadian Author & Bookman Vol.57 No.1 Fall |
Canadian Authors' Association, Sybil Marshall & Bernice Lever (poetry), Night Slinks Off |
1981 |
Brick: a journal of reviews 13 Fall |
Brick Books, Stan Dragland & Jean McKay, Jagdip 1968 |
1981 |
Wee Giant Vol.4 No.2 |
Margaret Saunders, Margaret Saunders, The End of the Beast, If I Make for the Leafless Thickets & The Voyeur You Have Made |
198? |
Spectrum Vol.4 No.4 |
?, ?, Infinite Riches |
1982 |
Origins Vol.12 No.2 Summer |
Herb Barrett, Krishna-Shiva |
1982 |
Northward Journal No.25 August |
John Flood, The Treaties |
1982 |
Inkstone Vol. 1 No. 2 Autumn |
Toronto Haiku Workshop, Keith Southward & Marshall Hryciuk, splayed in the dust/at the foot of the bookshelves/a ragged moth |
1982 |
Tree Presents No.3 |
Tree Reading Series, Marcus Jokinen, hotel (night and day/in a room by the sea/with the waves pounding) |
1983 |
This Magazine Vol.17 No.1 March |
Adams, Crean, Drache, Filyer, Lang, Salutin, Saul, Sullivan, Vohanka & Watkins; In the Station |
1983 |
The Antigonish Review No.53 Spring |
St. Francis Xavier University, George Sanderson, A Song & Owned |
1985 |
New Cicada Vol.2 No.1 March |
?, Tadao Okazaki, twisted old lilac/one more year/perfuming this yard, birches shimmer/a canoe drifts in shallows/of rippling shade, under a hot sun/coast-bound cars stop for a turtle/crossing to the marsh, naked moon/the silver waves keep breaking/on the dunes & hey! that cedar bush/commotion of sparrows just/knocked the snow off! |
1985 |
Poetry Canada Review Vol.6 No.3 Spring |
ECW Press, Robert Billings, Life and Literature, Canon Denton & The Poplars |
1985 |
Ariel Vol.16 No.3 July |
?, Ian Adam & Christopher Wiseman (poetry), An Observation for Marja |
1985 |
Poetry Canada Review Vol.7 No.2 Winter 1985-86 |
ECW Press, Robert Billings, By Bricks, Portrait of Maji & Kenneth Patchen |
1985 |
Daybreak No.1 |
Margaret Saunders, Margaret Saunders, Saying Grace & a rainy night/out wandering anywhere/the flat leaves point |
1988 |
Frogpond Vol.XI No.4 November |
?, Elizabeth Searle Lamb, a little drunk/with the moon/among the pumpkins |
1989 |
Poetry Canada Review Vol.10 No.1 Spring |
ECW Press; Bev Daurio, Barry Dempster, Bruce Meyer, Barbara Carey & James Deahl; Gathering Wild (see 1987 - Books) & Mayakovsky Monk |
1990 |
Frogpond Vol.XIII No.4 November |
?, Elizabeth Searle Lamb, cloudy afternoon/a white chrysanthemum/just one & 'for sale'/in the empty barn/wind |
1990 |
Poetry Canada Review Vol.11 No.4 Winter |
ECW Press, Barry Dempster (poetry), The End of the Absolute & The Salmon |
1990 |
Bywords Vol.1 No.2 December |
?; T. Christensen, G.Guth & E. Symons; The Widow Denton |
1990 |
The Alchemist # 13 Vol.4 No.1 Late |
Marco Fraticelli, Marco Fraticelli, spring sidewalk/the crippled pencil vendor/is back |
1991 |
Trail & Landscape Vol.25 No.2 Apr.-Jun. |
OFNC, Fenja Brodo, In Richmond Fen |
1991 |
Haiku Canada Newsletter Vol.VII No.I Fall |
Haiku Canada, Ruby Spriggs, phonebooth spiderweb/shakes in the wind/I call home, creak of wicker/from a screened porch/village dusk & evening falls/I stand up/and walk around the room |
1991 |
Haiku in English # 478 - Dec. 21 |
Mainichi Daily News # 24716, Sato Kazuo, one of the globe lights/along the river parkway/is the moon |
1992 |
Bywords Vol.2 No.5 March |
?; M. Abraham, T. Christensen, G.Guth & E. Symons; Inarticulations |
1992 |
Arc No.28 Spring |
Arc Poetry Society, John Barton & Nadine McInnis, Levertov & Going Up She Said Descending |
1992 |
Haiku in English # 505 - Summer/Fall 1992? |
Mainichi Daily News, Sato Kazuo, a gust/scattering crumbs/and sparrows |
1992 |
The Alchemist # 14 Vol.IV No.2 2e trim. |
Marco Fraticelli, Marco Fraticelli, fogbound/in a hotel room/reruns, waves/as we argue/keep rolling, midnight/the hibachi/still glowing, through the slot/with the pizza flier/a cold gust & supper alone/letting the cat/lick my plate |
1992 |
Contemporary Verse 2 Vol.15 No.2 Fall |
Contemporary Verse 2; Jane Casey, Heidi Eigenkind, K. Louise Fulton, Naomi Guilbert, Diane McGifford, Uma Parameswaran & Patrica Rawson; How We Are Judged by the Sun |
1992 |
Inkstone Vol.5 No.2 |
Toronto Haiku Workshop; Keith Southward, Marshall Hryciuk & Louise Fletcher; resting/on my shovel/a swallowtail & leaving feet first/into spring rain/the local recluse |
1993 |
Modern Haiku Vol. 24 No.2 June |
?, Robert Spiess, the moving van leaves/apples petals swirling/over the drive |
1993 |
Haiku in English # 531 - Nov. 20 |
Mainichi Daily News, Sato Kazuo, on the autumn lake/a pier in silence floats/on empty oildrums |
1994 |
Tanka Splendor 1993 Jan. 1994 |
Jane Reichhold, George Ralph (judge), several languages |
1994 |
Raw Nervz Vol. 1 No. 2 Summer |
proof press, Dorothy Howard, flat tire/the cows just stand and slowly/turn to look |
1995 |
Tanka Splendor 1994 Jan. 1995 |
Jane Reichhold, Geraldine Little (judge), one big sweep & badlands |
1995 |
Modern Haiku Vol. 26 No.1 Feb. |
?, Robert Spiess, evening falls/through his drowned grove/a beaver glides |
1995 |
Five Lines Down - Summer |
?; Kenneth Tanemura & Sanford Goldstein; strapless, moon sheen, in the cold shade, like a stranger, sulking & gusts |
1995 |
Haiku in English # 563 - Summer |
Mainichi Daily News, Sato Kazuo, on all the new cars/in rows at the dealershop/sleet hitting hard |
1995 |
The Malahat Review # 112 Sep. |
UBC, Derk Wynand, Porchlight |
1995 |
Contemporary Verse 2 Vol.17 No.3 Winter |
Contemporary Verse 2; Heidi Eigenkind, Clarise Foster, K. Louise Fulton, Tanya Lester, Diane McGifford, Judith Kearns & Janine Tschuncky; The Letter |
1996 |
Five Lines Down No.4 Jan. |
Kenneth Tanemura and Sanford Goldstein, the old stone church/ringing as the infant squeals/with shock at the cold/baptismal rinse/on her little bald pate; well I know now/it was wrong -- that turn I took/that got me stuck/on this backroad/up to my axles in mud; falling on granite/already mapped with lichen/raindrops/blotching the surface/obscure my stupid tears |
1996 |
Modern Haiku Vol. 27 No.1 Feb. |
?, Robert Spiess, over golden fields/of afternoon ---- milkweed down/drifting. |
1996 |
Trail & Landscape Vol.30 No.1 Jan.-Mar. |
OFNC, Fenja Brodo, Bird Status Line Report for a Week in the Late 20th Century |
1996 |
(muse)Letters Spring |
?, Ted Plantos, How I Came to Poetry (essay) |
1996 |
Arc No.36 Spring |
Arc Poetry Society, John Barton & Rita Donovan, The Magnet |
1996 |
Frogpond Vol.XIX No.1 May |
?, Kenneth Leibman, through pines/little breezes keep shifting/the stars |
1996 |
Modern Haiku Vol. 27 No.2 Jun. |
?, Robert Spiess, sun sparkling/& an eider bobbing/by sea-smashed rocks & t.v. gunfire/the sleeping child's/eyelids flutter |
1996 |
Trail & Landscape Vol.30 No.3 Jul.-Sep. |
OFNC, Fenja Brodo, Three at Mud Lake |
1996 |
Hook & Ladder Vol.2 No.3 Autumn |
?; Victoria Martin, Greg Fougere & Robin Fougere; In March (not same as in Summer Grass) |
1996 |
Prairie Fire Vol.17 No.3 Autumn |
?, Maggie Dwyer, from Kaddish |
1996 |
The Grist Mill Vol.5 1996-7 |
?, Joy H. Mann, The Shoestore |
1996 |
Somewhere Across the Border, 2nd series - No. 4, Oct.-Dec. (e-zine) |
?, ?, Giorgio & Thus & So |
1997 |
Haiku Canada Newsletter Vol.X No.2 Jan. |
Haiku Canada, LeRoy Gorman, dazed with cold/a bumblebee clings/to a faded aster |
1997 |
Haiku Canada Newsletter Vol.X No.2 Jan. (Insert) |
Haiku Canada, LeRoy Gorman, & is the hub: Haiku Canada Sheet; stopped cold in housewares, articulate in wind, end of season, inflight movie, in the windowless hall, t.v. gunfire, fogbound, down the wet street, we used to shriek,crossing the desert, on a mountain lake, on all the new cars |
1997 |
American Tanka Issue 2 Spring |
American Tanka Inc., Laura Maffei, Feverish, The cosmetician & All night |
1997 |
The New Quarterly Vol.XVII No.1 Spring |
?; Mary Merikle, Randi Patterson, John Vardon, Charlene Diehl-Jones & Gary Draper; Izumi Skikibu |
1997 |
Frogpond Vol.XX No.1 May |
?, Kenneth Leibman, weaving/through buttercups/a split-rail fence |
1997 |
Bywords Vol.7 No.11 Sep. |
?; S. Artelle, A. Dickinson, J. Dunn, J. Green, S.Kuelz & J. Ninacs; Avison(See 1981, For Agi who was wondering) |
1997 |
Frogpond Vol.XX No.2 Sep. |
?, Kenneth Leibman, the Queen too/on our stamps/a little older |
1997 |
American Tanka Issue 3 Fall |
American Tanka Inc., Laura Maffei, Dark now & Just visiting |
1997 |
Dasoku - Fall |
?, Jeanne Gugino & Marj Layman, East (Tanka Sequence) |
1997 |
Tanka Splendor 1997 |
Jane Reichhold, George Swede (judge), Deep in winter |
1997 |
River Review No.3 |
?, Bernard Quetchenbach & William Willan (poetry), Three at Mud Lake(See 1996) |
1998 |
Canadian Author Vol.73 No.3 Spring |
?, Doug Bale & Roo Borson (poetry), In the Alley |
1998 |
The Nashwaak Review No.5 Summer |
?, Stewart Donovan, The Red Rim |
1998 |
American Tanka No.5 Fall |
American Tanka Inc., Laura Maffei, His forehead & Headed back |
1999 |
Frogpond Vol.22 No.1 |
?, Jim Kacain, driving through/a small-town mainstreet/into darkness & 3 a.m./the airport conveyor turning/one battered green valise |
1999 |
Acta Victoriana (Origins) Vol. 123 No. 2 - Spring |
?; Alice Cooley, Lisa Goegan & Amanda Pautler; Terrified Ode |
1999 |
Event Vol. 28 No. 2 - Summer |
?, Calvin Wharton & Gillian Harding-Russell (poetry), At the Drycleaners |
1999 |
The Fiddlehead No. 202 Winter |
University of New Brunswick; Ross Leclie, Julie Dennison & Eric Hill (poetry); In a Forgotten Tense & What Happened to the Body Then |
2000 |
Azami (Haiku in English): The Year 2000 |
?, Patricia Neubauer, where breakers smash/Pacific rocks/I make my bow/across to Ikkoku |
2000 |
Trail & Landscape Vol.34 No.1 Jan.-Mar. |
OFNC, Fenja Brodo, Present Things |
2000 |
American Tanka No.8 Spring |
American Tanka Inc., Laura Maffei, through night rain/with the radio on/by the dash light/I study the man/with whom I am crossing the continent, a stranger/I drive through a village/past a chapel with people/at a wedding/ or funeral.. |
2000 |
Tanka in English - Sep. |
Japan Tanka Poets' Society, ?, Far from home, In the empty kitchen, Gaunt on the sheet, He has sent me & Izumi was |
2001 |
Arc # 47 Winter |
Arc Poetry Society, John Barton & Stephanie Bolster, Scotia Shore Haiku (sequence) |
2001 |
American Tanka No.10 Spring |
American Tanka Inc., Laura Maffei, turning/from my daughter's anger/to watch/grey dishwater/swirling down the drain |
2001 |
American Tanka No.11 Fall |
American Tanka Inc., Laura Maffei, Friday night/in the rooming house/-- also lonesome/that Nigerian student/playing his flute (in modified form in Gusts (from essay "The Varities of Tanka" by Michael Dylan Welch |
2001 |
Haiku Canada Newsletter Vol.XV No.1 Oct. |
Haiku Canada, LeRoy Gorman, Saturday night/bath running & the hockey game/in overtime |
2002 |
The Tanka Journal No. 20 |
Japan Tanka Poets' Society, ?, Trout Evenings (sequence) |
2002 |
American Tanka No.12 Spring |
American Tanka Inc., Laura Maffei, sun/warm on my wrists/as I cut/sprays of budding forsythia/and shake the wet snow off; tell me/ancient auntie asks/one day in her cups/what is it exactly/men like about sex |
2002 |
The Tanka Journal No.21 |
Japan Tanka Poets' Society, ?, Hinge of a Bookspine (sequence) |
2002 |
Raw NerVZ Essentials |
Proof Press, Dorothy Howard, Ah those first warm nights |
2002 |
Tanka Splendor 2002 |
Jane Reichhold, ? (judge), A Plunge of Sky (sequence) |
2002 |
Raw NerVZ Vol.8 No.2 Summer |
Proof Press, Dorothy Howard, Ill so long (tanka sequence) |
2003 |
American Tanka No.13 |
American Tanka Inc., Laura Maffei, six o'clock/on a winter night/I find myself/with eight items or less/a cliché at the cash |
2003 |
Kaleidoscope - Vol. 4 Nos. 1 & 2 |
?, ?, Snow Haired Women |
2003 |
The Tanka Journal No.22 |
Japan Tanka Poets' Society, ?, Downtown (sequence) |
2003 |
Arc # 51 Winter |
Arc Poetry Society, John Barton & Stephanie Bolster, Zen Mercies / Small Satories (tanka chosen by John Barton) |
2004? |
Tangled Hair No. 4 |
Snapshot Press, John Barlow, willows bend/in the wind/my mind/is becoming/a rolling cloud pond; after midnight/from a stand of cedars/beside the new mall/the plaintive call/of a mateless owl |
2004 |
American Tanka No.14 Spring |
American Tanka Inc., Laura Maffei, climbing higher/as cloud shade slips/over hot granite/I hear the scree/hit far below |
2004 |
The Tanka Journal No.24 |
Japan Tanka Poets' Society, ?, Highway Wind (sequence) |
2004 |
Bywords Quarterly Journal - Fall |
?, ?, My Friend in Japan |
2005 |
The Tanka Journal No.26 |
Japan Tanka Poets' Society, ?, Bright Asterisks (sequence) |
2005 |
Gusts Spring/Summer No.1 |
Tanka Canada, Kozue Uzawa & Angela Leuck, you be the father/I'll be the mother/says the child/to her brother/as they heap autumn leaves; undone/by a man's stoney words/among the old dories/a teen sobs unheard/in the roar of the waves |
2006 |
Raw NerVZ Vol.? No.? |
Proof Press, Dorothy Howard, wind bunts, except for Brahms, having missed the bus, wind in the long grass, flat tire, with what enviable impudence, on a mountain lake, t.v. gunfire, cold rains, November, empty street, ah these soft spring nights, all down the road (13 haiku under title "Marianne Bluger August 28, 1945 - October 29, 2005") |
2006 |
Haiku Canada Newsletter Vol.XIX No.1 Feb. |
Haiku Canada, LeRoy Gorman, the last ember dies/a chill takes the house/by moonlight |
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Date |
Magazine - Issue |
Book Reviewed or Review Title, Reviewer, Poems Included |
1998 |
Frogpond Vol.XXI No.I |
Tamarack & Clearcut, Elizabeth St. Jacques, a scorched smell -/ burnt fields in the rain/the boulders steam, with the tip of her cane/touching fresh snow/ New Year's morning, cloudy afternoon/a white chrysanthemum/just one, thin light/only the shadows/of snowflakes, mad shadows/-a moth at the porchlight-/I grip a cold key, evening falls/through his drowned grove/a beaver glides, bald from chemo/my friend Diana/a laughing Buddha, dress clinging/sandals in hand - I walked/ through the warm rain home & all night/the spring rain/soaking my dreams |
1998 |
Modern Haiku Vol. 29 No.2 Jun. |
Tamarack & Clearcut, Lee Gurga, 2 a.m./& the donut shop/light goes out, t.v. gunfire/the sleeping child's/eyelids flutter, a whiff of loam/and the sun on my neck/suddenly warm & with one foot out/a child considers/the moving-stairs |
2001 |
Arc # 47 Winter |
The Trail Down the Page, Maxianne Berger, review of Scissor, Paper, Woman |
2003 |
American Tanka No.13 |
Tanka and the Power of the Lyric Voice: An Interview with Marianne Bluger, Angela Leuck, daughter, at dawn as the mist, just one, in a ruined orchard, unbending, a drowning off Digby, where shoots, could you |
2003 |
McGill News Fall |
Early Evening Pieces, Sarah Pringle, no poems quoted |
2003 |
www.danforthreview.com |
Early Evening Pieces, Jennifer Dales, bagpipes wheeze, one little breeze, dusk, tulip buds tight |
2004 |
Arc No.53 Winter |
Early Evening Pieces, Harold Rhenisch, cheerful mechanic & highway wind |
2005 |
Gusts Spring/Summer No.1 |
For Marianne, with Love by Sanford Goldstein, the river/at the tips of our sandals/as we argue/keeps shifting/little pebbles; days now/of leaden skies/& of trying/to but not/getting any closer; mad I stalk off/down the road in teeming rain/& run out of steam/by a brook where plashing/cows seem quite content; one desolate night/I hurl his bitter note/right into the boxstove/it curls/& a rim of gold takes every word, could you/call it a lyric/this poem of a long-married couple/doing the cryptic together/in thin winter light? (from Gusts) |
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TABLES OF CONTENT FOR BOOKS
|
The Thumbless Man is at the Piano - Three Trees Press - 1981
|
Poem Title |
Page |
Previous Credits |
Enough to go on |
7 |
|
The Nerve for Poems |
8 |
|
The Lunatics |
9 |
|
Still for S |
10 |
|
Day drowns in night |
11 |
|
Poem in the Fire |
12 |
|
Do not settle into clay |
13 |
|
In the Mode of E. Dickinson |
14 |
|
Song of the Second |
15 |
|
In late winter in Ontario |
16 |
see 1976 - Periodicals |
A Verse for the Aulde Bastarde |
17 |
|
The clock keeps kicking away |
18 |
|
Poem in Orange Ink |
19 |
see 1976 - Periodicals |
November |
20 |
|
The Grosbeaks |
21 |
|
Photograph |
22 |
|
Swift as the shadow |
23 |
see 1975 - Periodicals |
Exchange |
24 |
see 1977 - Periodicals |
A live coal buried |
25 |
|
For D. Who is Always Remembering |
26 |
see 1976 - Periodicals |
Salon Paris 1939 |
27 |
see 1976 - Periodicals |
Gertrude Stein |
28 |
see 1978 - Periodicals |
Nightfruit |
29 |
|
Pears |
30 |
|
A Bestiary |
31 |
|
On a Country Road |
32 |
|
Dream |
33 |
|
The Disciplines |
34 |
see 1978 - Periodicals |
A Poor Lecher's Poem for the Chaste |
35 |
|
Psalm on a Summer Night |
36 |
|
On Literature i |
38 |
|
On Literature iii |
39 |
|
Jungle Song |
40 |
|
Bomb Poem for Rabbit |
41 |
|
It's Him Again |
43 |
|
Wet Day in Prescott |
44 |
|
The Ring |
46 |
|
The Widow and the Tulips |
47 |
|
C (1) |
48 |
|
Poem of the Wound |
49 |
|
Praxis |
50 |
|
Amulet |
51 |
|
The White Pages |
52 |
|
C (2) |
53 |
|
Sonata |
54 |
|
The End of the World |
55 |
|
The Boarding |
56 |
|
****** Credit in The Thumbless Man is at the Piano for work published in Waves not found ******
|
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On Nights Like This - Brick Books - 1984
|
Poem Title |
Page |
Previous Credits |
On Nights Like This |
11 |
|
5 a.m. |
12 |
see Night Slinks Off, 1981 - Periodicals |
Dance of the Turnips |
13 |
|
Hanging from a Helium Balloon |
14 |
see 1979 - Periodicals |
Spring |
15 |
|
The Thousandth Spring Would be the Same |
16 |
see 1980 - Periodicals |
Khishna-Shiva |
17 |
see 1982 - Periodicals |
Jagdip 1968 |
18 |
see 1981 - Periodicals |
Shh, be quiet now |
19 |
|
David |
20 |
|
In the Station |
21 |
see 1983 - Periodicals |
You burn me - Sappho |
22 |
|
The Snowscape Puzzle |
23 |
|
For R. Klibansky, Philosopher |
24 |
|
Poem of Winter |
25 |
|
The Hunt |
26 |
see 1980 - Periodicals |
Grandmother |
27 |
|
a cataract of honey |
28 |
|
As Though Lost in a Sleeve |
29 |
|
She worked her bone hook |
30 |
|
'Even his dreams are dreams of earth...' |
31 |
|
Feb. 1982 |
32 |
|
At the Fair |
33 |
|
The Heart the Sea |
34 |
see 1980 - Periodicals |
My Girl Cried Mother the Wind |
36 |
|
The air is |
37 |
|
The Ark and the Raft Gone Over |
38 |
|
Night Travelling |
39 |
see 1975? - Periodicals |
****** Credits in On Nights Like This for work in Antigonish Review, New Oxford Review & Wee Giant were not found ******
|
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Gathering Wild - Brick Books - 1987
|
Poem Title |
Page |
Previous Credits |
Bruises |
11 |
|
On Bow Lake Road |
12 |
|
Kevin's Jerusalem |
13 |
|
On the Mall |
14 |
|
In Early Summer |
15 |
|
The Flute Player |
16 |
|
Nun and Priest |
17 |
|
In a Moment of Weakness |
18 |
|
Canon Denton |
19 |
see 1985 - Periodicals |
Undersea |
20 |
|
At Mooney's Bay |
21 |
|
Declining the Patriarchy |
22 |
|
For Jay Macpherson |
24 |
|
In Broken Night |
25 |
|
The Other Half |
26 |
|
Wind |
27 |
|
The Spinster Settler's Song |
28 |
|
By Bricks |
29 |
see 1985 - Periodicals |
George in May |
30 |
|
So |
31 |
|
The Wave |
32 |
|
Marja |
33 |
see 1985 - Periodicals |
The Poplars |
34 |
see 1985 - Periodicals |
The Treaties |
35 |
see 1982 - Periodicals |
Kenneth Patchen |
36 |
see 1985 - Periodicals |
Tom's Poem |
37 |
|
In Oak |
38 |
|
With Beast |
39 |
|
Gathering Wild |
40 |
|
Early Evening Psalm |
41 |
|
Volo ut sis |
42 |
|
A Birth |
43 |
|
****** Credit in Gathering Wild for work in Alchemist, Antigonish Review, Boréal, Canadian Author & Bookman, Quarry, Skybreak, Wee Giant - not found ******
|
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Summer Grass - Brick Books - 1992
|
Section 1: The Midnight Gravities
|
Poem Title |
Page |
Previous Credits |
The Ancestors |
11 |
|
Good Friday |
12 |
see 1979 - Periodicals (as Easter Poem) |
The motor stopped in the sky |
13 |
|
The Vistas |
14 |
|
The Midnight Gravities |
16 |
|
The Salmon |
18 |
see 1990 - Periodicals |
Mayakowsky Monk |
20 |
see 1989 - Periodicals |
Reply |
21 |
|
Inarticulations |
22 |
see 1992 - Periodicals |
Alice's Moths |
25 |
|
In October |
27 |
|
Levertov |
29 |
see 1992 - Periodicals |
Atwood |
31 |
|
Going Up She Said Descending |
32 |
see 1992 - Periodicals |
Tom Plays at Saint Margaret's |
33 |
|
Imaginary Portrait of the Real George Johnston |
34 |
|
Poem Title |
Page |
Previous Credits |
Before Dawn |
37 |
|
Names of Yahweh |
38 |
|
The End of the Absolute |
39 |
see 1990 - Periodicals |
The Gorge |
40 |
|
Grace |
42 |
see 2001 & 2002 - Anthologies (made into postcard) |
When You Were Gone to the Gulf |
43 |
see 1994 - Anthologies |
Terminus I |
44 |
|
Terminus II |
45 |
|
Taking Down Night |
46 |
|
Cellar |
48 |
|
Hatty |
49 |
|
Michaelmas |
50 |
|
The Old Silver |
51 |
see 1979 - Periodicals (as Full Moon) |
Knowlten, P.Q. |
52 |
|
In March |
54 |
|
There's that |
55 |
|
Present Things |
56 |
|
Morning & Evening |
57 |
|
Spring |
59 |
|
Us |
61 |
|
Liberated |
62 |
|
Up By Ladysmith |
63 |
|
Rain |
64 |
|
In Richmond Fen |
65 |
see 1991 - Periodicals |
How We Are Judged by the Sun |
66 |
see 1992 - Periodicals |
Darkness Moving in Among the Trees |
67 |
|
Grouping: Early Evening Pieces |
68-9 |
|
wind in the long grass/and somebody/whistling |
68 |
see 1980 - Periodicals, 1991 - Anthologies |
through buzzing flies/the heifer's/steady gaze |
68 |
|
shuffling home/just at twilight -- the veteran/with bones for his dog |
68 |
|
except for Brahms/in the kitchen/no one |
69 |
|
supper alone/letting the cat/lick my plate |
69 |
see 1992 - Periodicals |
creak of wicker/from a screened porch/village dusk |
69 |
see 1991 - Periodicals |
chores in rose twilight/the quiet/jostle of sheep |
69 |
|
The Quarrel |
70 |
|
The Moon Showed Up It Was Shining |
71 |
|
Into the Open |
72 |
|
Before We Go Back |
73 |
|
The Pillow |
74 |
|
****** Credit in Summer Grass for work published in Dragonfly, Haiku Canada Anthology, Valley, Waves - not found ******
|
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Tamarack & Clearcut - Carleton University Press - 1996
|
A collection of haiku by Marianne and photographs by Rudi Haas.
|
Section |
Section Title |
Page |
I |
LEAFSMOKE |
6 |
II |
WINTER DUSK |
28 |
III |
LOAM |
52 |
IV |
EARLY EVENING PIECES |
72 |
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Gusts - Penumbra Press - 1999
|
A collection of haiku by Marianne and photographs by Rudi Haas.
|
Section Title |
Page |
Preface |
xi |
willow |
15 |
east |
27 |
sweet-grass |
37 |
white moon road |
53 |
the burial |
61 |
invisible zero |
65 |
the marriage cryptic |
79 |
Tanka include (first line only):
Ba-ba-boom, Gusts (see 1995), Tinkling, In the middle, The cosmetician (see 1997), Dark now (see 1997), Smoke this morning, Frost, In mid-winter, In my dressing gown, Daughter, Like a stranger (see 1995), Here goes, In harsh words, I dreamed, What to make, Past midnight, Just sitting, I see an old willow, All day/the mandala of shade, A water strider., Just one, No one living, The sun gone, At the darkening, All day/birding Grand Manan, The apples are in, Chewing an oyster, The air cools, Still Evangeline's, Under the moon, A drowning off Digby, Just like today, On these cold waves, In the gloming, On hay in the loft, & we pull away, In the cold shade (see 1995), The morning after, I saw, A thin man, Bodhidharma!, Turning and turning, Downtown a bald man, In robes I've starched, "Remain, Tipped off, Sunbathing, That mockingbird, Well I know now, Unbending, Up a tree, Augusta, On the night train, At last, At take-off, One desolate night, On my pitchfork, Just visiting (see 1997), Older, The furnace starts, You laugh & I see, The last passenger, An old Cree, At 3 a.m., Feverish (see 1997), In Harlem heat, A glorious sunset, Lighting, On Cape Cod, Again he takes my hand, In a motel mirror, Night falls, In a dusty field, Cajun rhythms, Shall we, Wind, The first night, Several languages (see 1994), Also falling on granite, It fades, In the rain, By the shed, February, In '67, Almost invisible, Some days, --- or a busker, --- or a lunatic, One big sweep (see 1995), In purple night, As I stitch, It's twilight, I seem to be emerging, Friday night, Through my binoculars, In the pre-dawn chill, The old moon, The footprints on sand, That racket?, The poet Marco, With the conference, It's worn a bit, At dawn as the mist, Alone on a gusty beach, Strapless (see 1995), & over there, It's a transplant, Also watching, Headed back (see 1998), Maybe because you've gone, The phone rings, All night (see 1997), Leaves rustle ---, All this long, Behind the drapes, Burning, Labour Day past, In a ruined orchard, Insomniac, Blackbird, April Fools, His forehead (see 1998), In my whole life, A hazy moon, Unable, First snow, Moon sheen (see 1995), Black twigs, In morning sun, Bronzed, Darkness deepens, Warblers, In moonlight ghostly, By the cedar, In a sort of May fit, A bittern calling, Still owling, You left, Mad I stalk off, Backing out, Remember that, Husband, We're in the dark, Bright asterisks ---, The river, From a dream of lostness, Just us again, At high noon, Days now, We are only details, Resting our oars, Among potted palms, Fleeing city lights, Like a guernsey, In the heat, As we hike a trail, Chores done, Intimate, One day, --- later a cuckoo, Could you
|
****** Credit in Gusts for work published in Raw Nervz, Lynx and Night Station - not found (Dasoku sequence - 1997 - included some of the tanka in Gusts) ******
|
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Scissor, Paper, Woman - Penumbra Press - 2000
|
Section 1: For the Reader
|
Poem Title |
Page |
Previous Credits |
The Very Spot |
11 |
|
Poem Title |
Page |
Previous Credits |
A Girl with Hair |
14 |
|
Night Station |
16 |
|
Scissor, Paper, Woman |
18 |
|
Further News of the Spinster Settler |
19 |
|
The Shield |
22 |
|
In the Alley |
23 |
|
Therapy |
25 |
|
Another for the Auld Bastard |
26 |
|
The Zen Master's Wife |
27 |
|
Section 3: Nude with Scar
|
Poem Title |
Page |
Previous Credits |
What Happened to the Body Then |
32 |
|
In March |
33 |
|
Nude with Scar |
34 |
|
By Bluffs |
35 |
|
Terrified Ode |
36 |
|
Porchlight |
37 |
|
The Letter |
38 |
|
The Sky a Salmon River |
40 |
|
Poem Title |
Page |
Previous Credits |
Beach with Jenny Missing |
44 |
|
The Savourers |
45 |
|
The Red Rim |
46 |
|
Louise in the Kitchen |
51 |
|
Godzero the Gorilla (Metro Zoo) |
53 |
|
Izumi Shikibu |
55 |
|
Section 5: Present Things
|
Poem Title |
Page |
Previous Credits |
Present Things |
58 |
|
The Shoestore |
60 |
|
At the Drycleaners |
61 |
|
Blesse |
63 |
|
Avison |
64 |
|
Celadon |
67 |
|
Gulf |
68 |
|
Skin |
69 |
|
In Albion Daylight |
70 |
|
Death Seated |
73 |
|
After Stein |
74 |
|
In April |
75 |
|
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Early Evening Pieces - BuschekBooks - 2003
|
Section |
Section Title |
Page |
I |
SWEETGRASS |
9 |
II |
HIGHWAY WIND |
17 |
III |
FLIGHT |
25 |
IV |
GOLDENROD & ASTERS |
31 |
V |
SNOWBLIND |
39 |
VI |
GUSTS |
49 |
VII |
ANNAPOLIS |
61 |
VIII |
QUILT |
69 |
IX |
DUNEGRASS |
75 |
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Zen Mercies / Small Satoris - Penumbra Press - 2005
|
Section Title |
Page |
PREFACE |
10 |
REAL AS A DREAM |
11 |
SHE POEMS / MARBLE VENUS |
17 |
ANNAPOLIS |
24 |
WRITING LIFE |
29 |
THE SILENCE AFTER |
33 |
HIGHWAY WIND |
35 |
THE HEAT |
40 |
A PLUNGE OF SKY |
44 |
MAGNOLIA |
54 |
HINGE OF A BOOK SPINE - IZUMI / SHIKI / MOKICHI |
56 |
SAVAGE SPRING |
61 |
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The Eternities - St. Thomas Poetry Series - 2005
|
Poem Title |
Page |
Previous Credits |
Names of Yahweh |
7 |
|
His Dreams |
8 |
|
The Eternities |
9 |
|
Levertov |
12 |
|
In the Station |
14 |
|
It's Him Again |
15 |
|
On a Country Road |
16 |
|
The Poplars |
17 |
|
Night Station |
18 |
|
The Crime |
20 |
|
Inarticulations |
22 |
|
The Ancestors |
25 |
|
Section 2: The Midnight Gravities
|
Poem Title |
Page |
Previous Credits |
The Midnight Gravities |
27 |
|
Sasha |
31 |
|
Who |
34 |
|
In October |
35 |
|
Pears |
37 |
|
Man in a Rented Room |
39 |
|
in a dark window |
41 |
|
Dad with Book |
42 |
|
Before Dawn |
44 |
|
The Bridge |
45 |
|
Section 3: The Dust in Bright Air
|
Poem Title |
Page |
Previous Credits |
The Burial |
49 |
|
Invocation on a Windy Night |
51 |
|
My Father's Head |
52 |
|
The Everlasting Arms |
54 |
|
The Silence After |
55 |
|
Good Friday |
57 |
|
A Dogma of Our Times |
58 |
|
Woodsmoke |
59 |
|
The Dust in Bright Air |
60 |
|
In Albion Daylight |
62 |
|
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Nude with Scar - Penumbra Press - 2006
|
Section 1: AFTERNOON REPORT TO THE STATE
|
Poem Title |
Page |
Previous Credits |
AFTERNOON REPORT TO THE STATE |
7 |
|
Poem Title |
Page |
Previous Credits |
THE MARRIAGE |
9 |
|
BIRDING THE BREAK-UP |
10 |
|
BIRDING HAIKU & TANKA |
12 |
|
BIRD STATUS LINE REPORT |
13 |
|
THE MAGNET |
14 |
|
THREE AT MUD LAKE |
15 |
|
GEOFFREY'S CAT |
17 |
|
ODE TO BIRDWATCHING |
18 |
|
THE MIGRANTS |
19 |
|
WHY ALL MY WORDS ARE FOOLISHNESS |
20 |
|
QUETZEL QUEST |
21 |
|
AT THIRTY BELOW |
22 |
|
SOARING |
23 |
|
Poem Title |
Page |
Previous Credits |
ADORARABLE AUNTIE |
25 |
|
HAIKU & TANKA 1 |
27 |
|
QUEBEC |
32 |
|
HAIKU & TANKA 2 |
33 |
|
Poem Title |
Page |
Previous Credits |
JIM |
39 |
|
NOWLAN |
40 |
|
LOUIS |
41 |
|
CANON DENTON |
42 |
|
TWO CHARACTERS FROM A FUTURE QUEBEC HISTORY |
43 |
|
SNOW-HAIRED WOMEN |
44 |
|
IN FEBRUARY |
45 |
|
GIORGIO |
46 |
|
JUSTICE FREDDY ABLEDEE |
47 |
|
WOMAN RECLINING |
48 |
|
IN A FORGOTTEN TENSE |
49 |
|
MAJI & ME |
51 |
|
DOMINIC |
52 |
|
THE GRADUATE |
53 |
|
GRIMM'S GIRL |
54 |
|
SHIFT |
55 |
|
THE WIFE |
56 |
|
BY THE SHED |
57 |
|
RUTH |
58 |
|
ARCHIE SKILLINGS |
59 |
|
TIM NEAR ARDEN |
60 |
|
HER MAJESTY |
61 |
|
THUS & SO JOHN TULL |
62 |
|
FLORID & GILT |
63 |
|
THE YOUNG POETS LATER |
64 |
|
BEAST |
65 |
|
LOUISE or INVISIBLE CACTUS |
66 |
|
THE POLITICIAN AS A SPRING DOG MOON |
67 |
|
THE BLUE SOFA |
68 |
|
MATSUDA |
69 |
|
THE HARE |
71 |
|
NUDE WITH SCAR |
72 |
|
NOT LOST |
74 |
|
THE END |
75 |
|
AGNES AND THE ANGELS |
76 |
|
DAISY |
78 |
|
Start with the ape |
79 |
|
ESTER |
80 |
|
Saw myself in a hall of mirrors |
81 |
|
INSTEAD OF TWILIGHT |
82 |
|
THREE CANARIES |
83 |
|
ALLAN |
84 |
|
MIKE WITH PERCH |
85 |
|
NOTE FOR KATE |
86 |
|
MIRIAM'S NIGHT WALK |
87 |
|
VENTURERS |
90 |
|
REPLY |
91 |
|
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Copyright © 2000 - 2009 The Estate of Marianne Bluger
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